And, honestly, we’re better off without it. It’s a thematically muddled “dark middle chapter” to a trilogy that, thanks to co-writer Roberto Orci’s subsequent departure from the franchise, was jettisoned in favor of Justin Lin’s Star Trek Beyond. It fell short of its predecessor at the box office and flummoxed fans and critics with a contrived, overblown story that retreads the beloved Star Trek II: The Wrath of Khan while also stealthily promoting the 9/11 truther movement. Upon its release, Star Trek Into Darkness couldn’t quite live up to either. The Next Generation and its spin-offs were well-regarded, but now, suddenly, Star Trek was … cool? Consequently, its sequel was granted a colossal $190 million production budget and preceded by a great deal of hype. Star Trek Into Darkness (2013) ParmountĢ009’s Star Trek reimagined the brainy space procedural as a shiny, fast-paced action adventure, grabbing mainstream attention on an unprecedented scale. For the most part, however, The Final Frontier is a mess, teetering precariously between “so bad it’s good” and just plain bad. Its story is ambitious, sending the Enterprise crew on a mission to the center of the galaxy to meet a being who claims to be God Himself, and there are some truly charming moments of camaraderie between Kirk, Spock, and McCoy. The blame doesn’t all fall on Shatner’s shoulders The Final Frontier faced a number of obstacles, such as a writer’s strike and an unqualified special effects team. The result was a troubled production and a critical disaster, and if not for Star Trek: The Next Generation finding its footing on television that very same year, it could well have damaged the franchise beyond repair. This clause remained intact during the franchise’s big screen revival in the late ‘70s and ‘80s, so when Nimoy won the job of directing the third and fourth Star Trek films, Paramount couldn’t refuse Shatner the same privilege. Star Trek V: The Final Frontier (1989)ĭuring the original run of Star Trek in the 1960s, lead actors William Shatner and Leonard Nimoy had a “favored nations clause” incorporated into their contracts, stating that each actor was entitled to any raise in pay or perks received by the other. ![]() It’s no wonder why, decades later, the streaming series Star Trek: Picard would spend its first season trying to rehabilitate it, and its third season outright replacing it as a farewell to the cast of The Next Generation. There are a few highlights, such as the young Tom Hardy’s performance as Captain Picard’s villainous clone and the light-hearted fun of Riker and Troi’s wedding, but for the most part, Nemesis is just a bummer. ![]() Helmed by an allegedly indifferent director in Stuart Baird and edited to within an inch of its life by producer Rick Berman, Nemesis is a dreary, lifeless slog with none of Trek’s usual heart. ![]() 2 at the US box office behind J.Lo vehicle Maid in Manhattan and plummeting the following weekend thanks to the debut of The Lord of the Rings: The Two Towers. Nemesis failed to satisfy critics, casual filmgoers, or Trek devotees, opening at No. It’s also where their final journey ended, at least on the big screen. “A Generation’s Final Journey Begins,” boasted the theatrical poster for Star Trek: Nemesis, the fourth feature film to include the cast of the hit series Star Trek: The Next Generation.
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